A&R

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Artists and Repertoire (A&R) is the division of a record label that is responsible for talent scouting and the artistic development of recording artists. It also acts as a liaison between artists and the record label.

Contents

Responsibilities

Finding talent

The A&R division is responsible for discovering new recording artists and bringing them to the record company. They are expected to understand the current tastes of the market and to be able to find artists that will be commercially successful. For this reason, A&R people are often young and may have formerly been either musicians, music journalists or record producers.

An A&R executive is often authorized to offer a record contract, often in the form of a "deal memo": a short informal document that establishes a business relationship between the recording artist and the record company. The actual contract negotiations will typically be carried out by rival entertainment lawyers hired by the musician's manager and the record company.

A&R executives rely mostly on the word of mouth of trusted associates, critics and business contacts. They also tend to favor bands that play in the same city that the record company is located. Contrary to popular belief, their decisions are rarely based on unsolicited demo tapes sent by musicians. (However, major labels outside the United States and various independent labels may accept demos.)

Overseeing the recording process

The A&R division oversees the recording process. This includes helping the artist to find the right record producer, scheduling time in a recording studio and advising the artist on all aspects of making a high quality recording. They work with the artist to choose the best songs (i.e.repertoire) to record. For artists who do not write their own music, they will assist in finding songs and songwriters. A&R executives maintain contact with their counterparts at music publishing companies to get new songs and material from songwriters and producers.

As the record nears completion, the A&R department works closely with the artist to determine if the record is acceptable to the record company. This may include suggesting that new songs need to be written or that some tracks need to be re-recorded. A key issue is whether the album has a single: a particular track which can be used to market the record on the radio. The industry cliche, "I don't hear a single!" is a reference to this process.

Assisting with marketing and promotion

Once the record is released, the A&R department (with assistance from marketing, promotion and the artist) chooses a single to help promote the record.

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